Daniel Canogar (Madrid, 1964) received an M.A. from NYU and the International Centre for Photography in 1990. His work as a visual artist focuses on photography, video, and installation art.
Daniel Canogar has created numerous public art pieces, including Waves, a permanent sculptural installation made with LED tiles, for the atrium of 2 Houston Centre, Houston; Travesías, a flexible LED screen commissioned for the atrium of the European Union Council in Brussels during the Spanish Presidency of the European Union in 2010; Constelaciones, the largest photo-mosaic in Europe created for two pedestrian bridges over the Manzanares River, in MRío Park, Madrid; Nodi, two photo-murals in the Arensa Train Station in Naples; Clandestinos, a video-projection presented on various emblematic monuments including the Arcos de Lapa in Rio de Janeiro, the Puerta de Alcalá in Madrid and the church of San Pietro in Montorio in Rome.
His recent work includes Asalto New York, a video-projection on the façade of an abandoned factory in Brooklyn, NY; “Latidos”, a solo exhibition at Espacio Fundación Telefónica Buenos Aires; “Vórtices”, an exhibition exploring issues of water and sustainability at the Fundación Canal Isabel II in Madrid; Synaptic Passage, an installation commissioned for the exhibition “Brain: The Inside Story” at the American Museum of Natural History in New York; and two installations at the Sundance Film Festival 2011 in Park City, Utah. He has exhibited in the Reina Sofia Contemporary Art Museum, Madrid; the Palacio Velázquez, Madrid; Max Estrella Gallery, Madrid; bitforms Gallery, New York; Filomena Soares Gallery, Lisbon; Guy Bärtschi Gallery, Geneve; Mimmo Scognamiglio Artecontemporanea, Milano; the Santa Mónica Art Center, Barcelona; the Alejandro Otero Museum, Caracas; the Wexner Center for the Arts, Ohio; the Offenes Kulturhaus Center for Contemporary Art, Linz; the Kunstsammlung Nordrhein Westfallen, Dusseldorf; Hamburger Banhof Museum, Berlin; Borusan Contemporary Museum, Istanbul; the American Museum of Natural History, New York; the Andy Warhol Museum, Pittsburgh and the Mattress Factory Museum, Pittsburgh.
Publications by Canogar include “Ciudades Efímeras: Exposiciones Universales, Espectáculo y Tecnología”, Julio Ollero Editor, Madrid, 1992; “Ingrávidos”, Fundación Telefónica, Madrid, 2003; as well as numerous essays on architecture of the image, contemporary photography and media art.